The big issue is that it's far less forgiving than the original unit when working with DAWs that don't offer full Console 1 compatibility the original was already a bit of a headache. It's a nice addition, but make no mistake, this is JUST faders for C1, the width control is outrageously mono-incompatible. I've had mixed results connecting to my original C1, on my main computer they work perfectly but on others I've had to power cycle many a time to get rolling. Faders are nice and weighty and have a good throw length. Initial setup on project is tedious: you have to insert the Console 1 plug-in onto every track you need mixed, and there is no easy way to do that. I couldn't get it transport control to work, track naming is manual. This contributes a lot to how you progress as a producer. Main pro: the Console 1 series encourages you to mix by ear, not based on your on-screen readings. If you have a group of 12 tracks that stand for one instrument, you can have it represented as one track. you can control which tracks appear on your controller. With a properly set-up project, you will literally have your hands on this thing at all times during mixing. layers of control are very usable and intuitive. motorized faders work well and are easy to use This is MUCH smaller than the motorized Behringer
a tiny footprint compared to other motorized fader controllers. This controller works best paired with the original Console 1: focus on one track in Console 1 and balance the overall mix on faders.
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